Give Me The Stage, God Knows My Life Needs Staging
Transformation is at the core of Chris Corner’s music and outlook. Ever since leaving wildly
successful 1990’s trip-hop group Sneaker Pimps, Corner’s process of becoming IAMX beginning in
2004 has been theatrical, transcendent, and communal. Androgynous and visceral, IAMX has
metamorphosed from small-town blue-collar kid to international pop star in the 1990’s to creator of
raw art that disrupts gender and genre in the 2000’s. Fuelling electronic experimentation with punk
energy and confessional lyricism, Corner’s goth and industrial sound, fashion, performances,
videos, and persona are larger than life, iconoclastic, and shockingly intimate.

I Forget That There’s A World Outside
Growing up as a self-described socially anxious geek, Corner’s interest in music was stoked by a
“weird uncle” who would play “strange music” to him. Interest became obsession, and obsession a
means through which Corner explored his growing fascination with technology. The interest lingers
to this day, as IAMX not only writes and performs, but also produces his own music. The awkward
kid who spent a lot of time in his room became the iconoclastic artist who recently spent weeks in a
tricked-out trailer in a desert staring at mountains, mining the silence around him, fastidiously
mixing and engineering his new album, Alive In New Light (AINL).

I’ve Seen Attention – See Through Me
Corner’s adolescent curiosity moved to a new level in his teens when he connected with his older
sister’s boyfriend Liam Howe, who became a friend and collaborator. Their first band F.R.I.S.K.
released two bedroom-produced EPs – Soul of Indiscretion, World as a Cone – that provided an
early sonic template for trip-hop in general. The pair also performed as DJs under the alias Line of
Flight. In 1995, Corner and Lowe formed Sneaker Pimps in Hartlepool, England with support from
Kelli Dayton (vocals), Joe Wilson (bass) and Dave Westlake (drums). The newly formed band took
rave culture and the pop charts by storm with their 1996 debut album, Becoming X which featured
dancefloor classics “6 Underground” and “Spin Spin Sugar”, sold over a million copies, led to
extensive touring, and attracted the attention of Virgin Records who signed them.

There’s Something That’s Stirring Deep In Me
In 1998 the band’s changing creative direction lead to Corner taking over vocals from Kelli, and
Splinter was released on Clean Up records in 1999. Splinter fostered a bourgeoning cult fandom,
who continued with Sneaker Pimps through the band’s third album Bloodsport (Tommy Boy) and
beyond. Soon, Chris realised the band was no longer the right vehicle for where his music was
headed, and from this awareness IAMX was born.

I Know You’re Aching To Be Saved
Even though some of the songs on IAMX’s 2004 debut Kiss + Swallow were originally slated to be
on the Sneaker Pimps’ fourth album, (and IAMX is itself a reference to Becoming X), shades of
Chris’ old life quickly faded as his theatrical and gender-bending alias emerged with full force.
From 2004 onward, IAMX maintained a hectic recording and touring schedule, moving to Berlin in
2005 at the peak of its electronic renaissance. IAMX released his sophomore album, The
Alternative in 2006, followed in 2008 by Live In Warsaw. Kingdom Of Welcome Addiction and its
anagram remix album Dogmatic Infidel Comedown OK followed in 2009 and 2010, chronicling a
dark phase in Corner’s life. As dark energy seductively does, it produced compelling work,
including 2011’s Volatile Times and 2013’s The Unified Field albums, the latter of which is
considered a milestone in IAMX’s creative development as a musician and performer. Eventually,
however, dark energy claims its toll.

The World Outside May Still Be Beautiful – But I Love This Cell
Following a successful world tour in support of The Unified Field, Corner fell into a depressive and
insomniac state. His ordeals – detailed in his personal blog here – prompted him to move to Los
Angeles in sunny California for a change of scenery. “I stopped listening to music for about a year.
I stopped making music and it was almost unbearable to listen to music. For instance, I couldn’t
watch TV, I couldn’t even drive as it would invoke these waves of almost panic, depression, and
exhaustion. I thought I would not only be able to not make music again but that I also would not
enjoy listening to music again. That was a very scary idea,” he explained.

In The Sunlight And The Dust Of California
The move was a good decision and yielded one of IAMX’s best albums, Metanoia in 2015 and the
mini-album Everything Is Burning (Metanoia Addendum) in 2016. Having poured his heart out
lyrically on two successful albums and rigorous world tours, IAMX released Unfall (German for
accident), an instrumental album to cleanse his creative palette. In 2017, Corner emerged from his
depression into a state of euphoria captured on his newest album Alive In New Light (AINL).

The Boys With Their Toys Are Bringing The Void Our Way
In addition to his success as a songwriter, producer, and touring artist, IAMX is one of the most
licensed musicians on ABC TV’s runaway hit show, How To Get Away with Murder. By the end of
2017, IAMX had synced 16 of his songs to its soundtrack, becoming one of the most recognisable
composers on television thanks to the show’s creator Pete Nowalk, being a superfan of IAMX.
Another superfan turned collaborator is postmodern tattoo and makeup powerhouse, kindred spirit
Kat Von D, who sings on four songs on AINL and shares IAMX’s avant-garde fashion and design
sense, epic stage theatricality, and gender-bending proclivities. IAMX’s provocative aesthetics are
not limited to his music and fashion. As a video artist, he crafts IAMX’s stunning live visuals and
most of their music videos, as well as videos for other acts, most notably his close friend Gary

The Sky Has Opened Up And Now I’m Overcome
IAMX isn’t clear where this newfound liberation will lead him. Rising from a humble working class
background to capitalistic celebrity, then down to the depths of despair and back into a new light,
IAMX’s armour is now more permeable and his imagination more stimulated by Los Angeles’
unrelenting optimism. For Chris Corner, turned IAMX, the transformative journey that began in his
bedroom as a young kid in the North East of England and found its way into the California desert
continues. The I AM in IAMX may imply stasis, a fixed state of being, but the X signifies the
variable in mathematics, and IAMX the person is in no way done evolving.